History of animation
History of animation
Thinking about histories…
Histories is not single but plural, because there are different stories, many people tell history in a different way
Tony fry-design critic
Animated practice is subjective
Strive for personal vision
Motif for the lecture-the wolf man by Tim hope 1999
Animator who worked in a hand crafted low fi way with computers
Goes back to the convergence of animation and when a time of realism was becoming a goal in animation.
Zoetrope (1834)- invented by a mathematician
Different because it allows a multiple audience, invents cinema- everyone sees it but it doesn’t restrict the viewer so only one person can see, a few can at a time- multiple audience, everyone at once
Can only animate short loops- empathises quality of movement
Pixar version- something that seems modern but goes back in history
Same could be said for social media etc..
Technology is giving us new way of vision
Things that were driving innovation was changing
Technology was changing how we think about ourselves
Other inventions of injecting movement into fixed form…
Rota scope (1915)- device used to trace live action characters
Introduces slow life like animation
Hard to make anything smooth if tech is not used
Rotoscoping is something we did in production workshops, I can say I don’t like it, it was time consuming and tricky and I don’t think the effect is as good and not what I thought it was going to be.
Windsor McKay
Realism: looking at everything that’s stable, normal ordered world
Likes the idea that someone has character because its integrate object. You can predict the behaviour
We can have a story that has a predictable pattern
Stabilising a mode of experience
Embrace of character, cause and effect and narrative, also tends towards closure of texts.